Bach performed it for the first time on 24 September 1724 in St. Nicholas Church in Leipzig. Commentators have agreed in their praise for the cantata: According to Spitta, "The melodious and elaborate bass air and the two recitatives fully correspond in beauty to the other pieces";[125] Schering states that, "The opening movement of the cantata must be ranked as one of the most arresting tone-pictures ever penned by Bach"; Whittaker wrote that, "Few cantatas are so wholly attractive and so individual as this lovely work";[78] and Dürr, translated by Jones, has written that, "The opening chorus presents the listener with a sublime vision of the hour of death. Mach einmal mein Ende gut, Bach composed it in Leipzig in 1726 or 1728. Usually a chorale cantata is in multiple movements or parts. The difficulties in finding students from the university available to perform as instrumentalists was already a problem while Johann Kuhnau was Thomaskantor, responsible for two main churches, the Nikolaikirche and the Thomaskirche, as well as the Neuekirche. John Troutbeck's translation, When will God recall my spirit?, was published in a vocal score a few decades later. Start studying Edexcel Music A Level Appraising: Bach BWV: 80, no. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. Born: 21 March 1685 Died: 28 July 1750 Biography. 1, 6); Anon (Mvts. triplets), normally with an upbeat; a joyous and intense mood; jigging rhythms; long phrases without break; and a dance-like lilt. Platen mentioned the closing chorale of BWV 8 in an article published in the 1975 edition of the Bach-Jahrbuch, describing the chorale movement as a reworked version of Vetter's 1713 four-part setting. With the holy dead may have, Bach composed the cantata in 1724 in his second year as Thomaskantor in Leipzig for the 16th Sunday after Trinity. BACH/Almmer Johann Sebastian chorale bewerking band III: Amazon.nl Selecteer uw cookievoorkeuren We gebruiken cookies en vergelijkbare tools om uw winkelervaring te verbeteren, onze services aan te bieden, te begrijpen hoe klanten onze services gebruiken zodat we verbeteringen kunnen aanbrengen, en om advertenties weer te geven. A frequent response from audience members is, “This is such a blessing!” This season, we’re thrilled to announce that our Bach at Noon concerts will be again broadcast by WWFM, the Classical Network. Recently Maul (2018) has devoted a book to the topic. 'Texts for Church Music in Leipzig') containing the librettos of all five chorale cantatas which Bach first performed in September 1724 is extant. All of Bach's cantatas for the Trinity XVI occasion meditate on death, a theme linked to the Gospel reading. WHY), - Largely conjunct or simple leaps, characteristic of a chorale, Harmony & Tonality: How is the harmony typical of a chorale? [97] In 1991 and 1996, the musicologist Frieder Rempp published critical commentaries on the closing chorale for the New Bach Edition (NBE). Erbarm'dich mein, O Herre Gott, BWV 721 3. Based on Johann Sebastian Bach's organ transcription of Antonio Vivaldi's Concerto no. Take poverty among the rest. As the flute in a flourish takes up its original jig tune in the relative minor accompanied by short sighs in the strings, the bass sings "verkläret" with an octave leap and a one and a half bar note for the second syllable. [43][44], BWV 8.1, the first version of Bach's chorale cantata Liebster Gott, wenn werd ich sterben, was first performed in St. Nicholas Church on 24 September 1724. BWV 8, Birnstiel's and Breitkopf's collections of four-part chorales by Bach, The Raising of the Son of the Widow of Nain, church cantatas for the 16th Sunday after Trinity, raising from the dead of the young man from Nain, Musicalische Kirch- und Hauß-Ergötzlichkeit, Komm, du süße Todesstunde BWV 161 at Bach Digital, Christus, der ist mein Leben BWV 95 at Bach Digital, O Ewigkeit, du Donnerwort BWV 20 at Bach Digital, Liebster Gott, wenn werd ich sterben BWV deest (NBA Serie III:2) at Bach Digital, Liebster Gott, wenn werd ich sterben BWV 8/6 at Bach Digital, Liebster Gott, wenn werd ich sterben [1st version] BWV 8.1 at Bach Digital, Allein zu dir, Herr Jesu Christ BWV 33 at Bach Digital, Jesu, der du meine Seele BWV 78 at Bach Digital, Was Gott tut, das ist wohlgetan BWV 99 at Bach Digital, Herr Gott, dich loben alle wir [1st version] BWV 130.1 at Bach Digital, Wer weiß, wie nahe mir mein Ende BWV 27 at Bach Digital, Liebster Gott, wenn werd ich sterben [2nd version] BWV 8.2 at Bach Digital, Liebster Gott, wenn werd ich sterben: 1. 167, List of compositions by Johann Sebastian Bach, https://en.wikipedia.org/w/index.php?title=Liebster_Gott,_wenn_werd_ich_sterben,_BWV_8&oldid=1000597224, Short description is different from Wikidata, Articles with unsourced statements from November 2020, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, str as in BWV 8.1, with additionally two solo violins (vl), No. Zwar fühlt mein schwaches Herz [12] The cantatas of this cycle, the chorale cantata cycle, are each based on a pre-existing Lutheran hymn and its chorale setting. [19][3][20][21], Daniel Vetter, a native of Breslau, set Neumann's hymn in the first half of the 1690s. The volume was printed by Immanuel Tietze, likely by the time the first of these five cantatas was performed:[49][50], The Trinity XVI cantata of Bach's third cantata cycle, Wer weiß, wie nahe mir mein Ende? But that is ev'ry morning new, Although there are no accounts of the reception given to Bach's chorale cantatas by the Leipzig congregration, it is known that some of these cantatas were the only works that the city was interested in keeping alive after Bach's death. Nought would I receive Bach: Chorale Prelude (BWV 615) in G Major, No. Chorale 8 - Freuet euch, ihr Christen alle. Bach Chorales: A Guide. Piano Sheet. The ritornello continues with a lengthy passage for semiquavers, where musical iconography again comes into play. … in detached phrases, accompanied on the flute by triplet scales and three bars of high-pitched arpeggios. By Johann Sebastian Bach / ed. 2, Komm, Heiliger Geist ... 18 Chorale Preludes: No. "[46], The praise does however not extend to the D major arrangement. [71], The opening chorale fantasia sets the first stanza of Neumann's hymn. [77] Around this period of Barth and Penzel's interim cantorate, Barth copied a number of cantatas by Bach: among these copies is an extant score of the E major version of BWV 8. Enough, that out of God's unbounded store They are characterised by their subdivided beats (e.g. their grievous yoke unbinding? The opening movement is a chorale fantasia, an extensive instrumental piece, punctuated by the four-part choir, who sing line by line from the first stanza of Neumann's hymn. Previous: BWV 7.7 Next: BWV 9.7 Original source: Cantata, Liebster Gott, wenn werd ich sterben?, BWV 8 (bach–digital page) Chorale Text: Liebster Gott, wenn werd ich sterben (verse 5), by Caspar Neumann (1690) Tune: Liebster Gott, wenn werd ich sterben, by Daniel Vetter (before 1695) (Zahn 6634) First Performance: 24 September 1724, 16th Sunday after Trinity "[98] Arnold Schering summarises the last movement as follows: "After the mood thus established has been re-asserted by the soprano in a Recitative, there follows the final Chorale—this time arranged on a plan unusual with Bach. Like Bach's Orgelbüchlein composed during the same period, Vetter's collection starts with Nun komm der Heiden Heiland. Bach: Chorale Prelude (BWV 615) in G Major, No. Ehre Sei Dir, Christe, Der Du Leidest Not, Chorale Prelude For Organ (Neumesiter Chorale No. There are initially gently responses from flute and strings. A spiral–bound Dahn Edition of the Bach Chorales is available! 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